danielle~! @00dani@vulpine.club

"im not cute! im not cute!!", i continue to insist as i slowly shrink and transform into a catgirl

gays, we're gays, we're the gays! we gay at night we kiss at night, we're the gays

i'm da giant gay dat makes all of da rules

let's see what kind of snuggles we can get ourselves into

im gay

probly gonna get hades, it looks rly fun

it can join dead cells in my "extremely good roguelites that unnecessarily assign a gender to the player character" collection

is "dumbbell" ableist? should we be renaming those?

it looks like the term come from the original meaning of that word, as in, "a bell that doesn't make a sound"? rather than the intelligence-related meaning

but of course that word isn't used for mute people any more either so,

so the five normal worlds in the game all end with a genuinely really fun and good musical level? it's designed so you just run forward the whole time, and your jumps and attacks and things automatically sync up with the beat, and it's extremely satisfying??

especially mariachi madness, which is literally just eye of the tiger. same song. it's hilarious

the postgame world, living dead party, consists almost entirely of "8-bit" versions of the five musical levels from the base game? which is cool in theory, that part of mario odyssey is fantastic

unfortunately it doesn't actually reskin the levels with 8-bit-era visuals to match the music

instead, presumably to make the postgame more difficult? every one of these levels has some arbitrary visual filter slapped on top that makes it impossible to see what you're doing

and this is intentional? for example the "analog tv static" effect in orchestral chaos is synchronised with the beat so that you can't see where you need to jump

also unlike the original levels, these versions have no checkpoints

this is not a good postgame. this is very bad ​